It seems relatively routine — some “hillbillies” scuffling in the waiting room of a hospital, calling Danvers (Jodie Foster) away from an interrogation. Navarro (Kali Reis), left behind to monitor the bedridden victim, pokes her head around the corner, craning to see the commotion. And then, behind her, the man in the hospital bed suddenly sits up.
The scene is spooky enough on its own, a casual startle like a bag rustling in Audition. But the sound design makes it even more hair-raising: first a gasp on the audio track; now the man’s voice is different, gravelly and growling. “Hello, Evangeline. Your mother says hello. She’s waiting for you.” Then he points, lies back, seizes, and codes out. True Detective is on some shit with this one.
This seems as strong a case for the supernatural hanging over the town of Ennis as any, in an episode littered with unreal details like this. Heck, even at the beginning of the interview, Navarro was on edge, after the victim muttered the spectral phrase she previously heard in her car: She’s awake. But episode 3 is also concerned with the practical matter at hand, the murder of Annie K., giving us our best glimpse yet at the woman and whatever happened to her. The hour spends a lot of time tracking Annie’s movements — an Ariana Grande sweatshirt marking the start of a relationship, blue hair dye leading to someone who knew about Annie and her secret scientist boyfriend, the impact she had as a midwife and the vacuum she left behind.
Ultimately, the best piece of evidence so far comes out of last week’s cliffhanger, Annie’s phone containing the chilling final video she recorded somewhere in the ice, the screams of which play the episode out. It’s stomach-turning (Prior can’t even bring himself to watch it again), and just as chilling as the moment between Navarro and the surviving scientist. Something about this mystery feels beyond our comprehension, and paranormal explanations are increasingly looking like the easiest reason
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