As I write this, Reacher is the No. 2 show on Prime Video according to the site’s ranking, almost two full months after its second season premiered. Prior to that, it spent most of the last couple months at the No. 1 slot — the show is, according to Amazon’s public metrics, a huge hit, and yet every time I tell people to watch it, they’re always a bit skeptical. “Really?” they wonder, as if I have ever liked a bad show. Yes, I tell them. Really. I still would, even though I have spent some time now feeling fairly grumpy about how Reacher season 2 has turned out. Uneven as it’s been, Reacher is a reminder that time is one of TV’s biggest strengths, and the natural peaks and valleys a show experiences over its life can only serve to reinforce what makes it special.
A big part of what makes Reacher successful is in the way it clearly takes after the sort of long-running cable shows that don’t really get made anymore. It’s got Justified energy, a slick baseline of cool and straightforward simplicity that gives the show’s writers room to do uncomplicated cowboy shit in one episode and then display a surprising depth and understanding of its genre politics in the next. That baseline is also sturdy enough to ride out the show’s bad decisions, a foundation strong enough to hold together in the hopes that the next scene, episode, or season will set things right.
This is why I’m still pumped for more Reacher, even if season 2 made the mistake of telling, as Polygon editor Pete Volk puts it, “a season 6 story” done too early. Jack Reacher (Alan Ritchson) as established in season 1 was a drifter, a former military special investigator that wanted to travel the country with naught but the clothes on his back and an annoying sense of justice that kept him getting involved in local problems when he’d rather not be. Usually with his massive cinder block hands.
Season 2 of Reacher abandoned a rock-solid Western-like structure where Jack Reacher is the Man With No Name getting
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