Although Quentin Tarantino’s movies have endings that leave little to no room for speculation, some of his works have some elements that have led to a number of theories on what they are or represent, and the most famous one is the briefcase in Pulp Fiction, which according to one theory, contains God. Tarantino’s career as a filmmaker began in 1992 with the crime movie Reservoir Dogs, and while it was a critical success and opened many doors for him, his big break arrived two years later with Pulp Fiction, another crime movie.
Pulp Fiction stood out for being divided into segments told in a non-linear manner, with each one led by one or two characters and all of them crossing paths at some point. The characters leading the segments in Pulp Fiction are hitmen Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson), their boss Marsellus Wallace (Ving Rhames), his wife Mia Wallace (Uma Thurman), and boxer Butch Coolidge (Bruce Willis), with the connecting link between all of them being Marsellus – and he’s also at the front and center of one of the biggest questions left by Pulp Fiction.
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Following the prologue at the diner with Pumpkin (Tim Roth) and Honey Bunny (Amanda Plummer), Pulp Fiction takes the audience to meet Vincent and Jules, who are tasked to retrieve a briefcase for Marsellus from Brett, a business partner. Once there, and while Jules intimidates Brett and company, Vincent opens the briefcase and a bright yellow light comes out of it, but the contents of the briefcase are never revealed. This has led to a number of theories on what’s in the briefcase in Pulp Fiction, and one theory takes a more spiritual approach by
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