How the Diablo IV soundtrack was made

radiotimes.com:

The long awaited Diablo IV launched earlier this month, when the infernal action role-playing game was unleashed upon the gaming world and became available on PC via Battle.net, Xbox and PlayStation.

The world of Diablo IV is a dark and treacherous place — one where players navigate through a sinister landscape filled with demonic forces and twisted horrors. One of the key elements that allow players to immerse themselves into this haunting realm is the game's captivating soundtrack.

The developers have sent Radiotimes.com some exclusive insights on how the Diablo IV soundtrack was made, so keep on reading to learn all about it.

If you've landed on this page simply because you want to listen to the Diablo IV soundtrack, look no further than the official 47-track album on Spotify:

The Diablo IV soundtrack is also available on Apple Music, if you're that way inclined! Why not listen to it while you read the exclusive insights below?

Behind the scenes, senior composers Ted Reedy and Leo Kaliski worked tirelessly to create an audio experience that complements the game's atmosphere and narrative.

Reedy reveals exclusively to RadioTimes.com: «The music in Diablo IV serves multiple purposes: it sets the tone for different regions, creating unique soundscapes that enhance the player's immersion.»

Reedy explains that most of the music in the game is environmental or atmospheric, dynamically adapting to the in-game events. Kaliski notes that they often rely on concept art to guide their decisions when determining where to add music within a particular area.

To capture the essence of the game's central antagonist, Lilith, Reedy and Kaliski used a diligent approach. Lilith's music was carefully crafted to reflect her complex