Peter Jackson's Lord of the Rings trilogy was both a blessing and a curse for J.R.R. Tolkien's novels. A blessing in that they arguably remain the greatest-ever adaptation of a fantasy world into cinema, faithfully reimagining the books' beats and characters with a grandeur yet to be surpassed. And the curse was their success, instantly canonising Jackson's vision as the starting point for a new extended universe spinning out from the books.
Not that this is anything particularly new—the British satirical magazine Private Eye has a running joke of referring to The Silmarillion, a posthumously published collection of Tolkien's Middle-earth tales, as «The Sellamillion». The Lord of the Rings has always been big business. But with franchises like Marvel, Star Wars and Harry Potter showcasing the extraordinary amounts that can be wrung out of extended universes, and the rights for everything outside of the books recently acquired by Middle-earth Enterprises (an Embracer subsidiary) in 2022, we are entering a new era of Hobbit saturation.
If I seem glum about this it's only because, with the best will in the world, nothing since Jackson's trilogy has come close to that level—even Jackson's adaptation of the Hobbit, which should've been a slam-dunk prequel, ended up an overlong and drearily serious trilogy. Amazon's Rings of Power was just middle-of-the-road prestige TV. Then we get to the games and, the shining light of Lord of the Rings Online aside, the most recent example is the mystifying The Lord of the Rings: Gollum, which maybe wasn't as terrible as some said but was enough to close its developer Daedelic.
Well buckle up, because Warner Bros. has decided that what this shows is people want more Gollum. The company has announced a new clutch of live action movies based on the Lord of the Rings, with the first focusing on the fish-gobbling ring-fancier (thanks, Variety). During an earnings call Warner Bros. Discovery CEO David Zaslav said Peter Jackson, Fran Walsh
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