Star Wars: The Phantom Menace is 25 years old and back in theaters for Star Wars Day (“May the 4th be with you”), inevitably setting off a new round of debate about the movie, the prequel trilogy as a whole, and the current, sometimes frustrating, state of Star Wars media. Though The Phantom Menace has been heavily criticized, it’s also been re-examined and even embraced over the past few decades. There are memes that celebrate the highly dramatic dialogue and direct references in tentpoles like Solo. The kids who grew up with the prequels as their main Star Wars movies have spoken up to defend them.
But arguably, what really vindicated the prequel trilogy was the spin-off culture. The animated series, books, comics, and everything else tying into the expanded canon made good on the promises delivered in the prequels’ seven hours of CG-filled adventure. The Phantom Menace, and later Attack of the Clones,introduced a political conspiracy that spanned every corner of the Star Wars universe, a corrupt government meshing with a somewhat clueless Jedi Order. In an attempt at reasonable runtimes, the movies don’t go that deep with the Jedi’s request for a clone army, or interesting characters like Darth Maul, Mace Windu, and Count Dooku, who all meet early demises. But the genius of Lucas’ plans — anticipated or accidental — is that the movies sparked creativity in other creators.
In 2014, shortly after the acquisition of Lucasfilm, Disney rebranded most “Expanded Universe” media as “Legends” content, with only a handful of stories and lore from outside of the movies surviving the purge. Still, both departed and surviving EU enhance the prequels.
One notable book that didn’t survive the new post-Disney canon is James Luceno’s Darth Plagueis, which took one of the most important yet unknown figures of the prequels and gave us a complete story that fills plenty of the blanks. The novel dealt with the Sith lord Darth Plagueis, hinted in Revenge of the Sith to be Darth
Read more on polygon.com