Sony’s Creator to Creator — Inside Marvel’s Spider-Man 2 & Spider-Man: Across the Spider-Verse

blog.playstation.com:

Update: Part two of the Creator to Creator series featuring Marvel’s Spider-Man 2 and Spider-Man: Across the Spider-Verse is available today. Spoiler warning ahead for those who haven’t seen or played these sequels yet.

In this spoiler-filled follow-up, the panel of game developers and film directors dive deeper into their creative collaborations and shared history with Spider-Man. Intihar discusses adding mysterious, multi-dimensional Spider-Bot collectibles in the game and working with the Spider-Verse creators on this nod to the film. Powers talks about the significance of Miles as a character of color, who is as powerful as other Spider-Men but uniquely cool. Coddington and Rosemann also connect on borrowing strength from Spider-Man as a relatable Hero during challenging times growing up.

Thanks for playing, watching, and diving in deep with the creators of Marvel’s Spider-Man 2 and Spider-Man: Across the Spider-Verse.

Today’s Spider-Man creators grew up adoring Marvel’s web-slinging Super Heroes. Beyond this shared love for Peter Parker and Miles Morales, these creative minds approach their craft in surprisingly similar and divergent ways. Exploring how creators of different mediums approach crafting unique stories featuring shared characters is endlessly fascinating.

That’s why we’re excited to reveal a new entry in Sony’s Creator to Creator series, featuring some key people responsible for Marvel’s Spider-Man 2 and Spider-Man: Across the Spider-Verse. This two-part series includes:

Part one of the Creator to Creator series dives into everything from authentically portraying Marvel Super Heroes in film and games to the parallel bonds between the Spider-Men and the creative teams that bring them to life.

In part one, Coddington reflects on foundational lessons from Marvel artists and how to pose the Heroes dynamically. Thompson explains how technology has evolved so far that it’s no longer the main hurdle for telling visually complex stories, like those of the