The launch of Elden Ring: Shadow of the Erdtree means, among other things, a resurrection of the timeless debate over difficulty in Dark Souls games. In the eyes of many soulslikers, Elden Ring was notably gentler than its predecessors because if you're getting hammered by one demigod clown or another, you can always take off, do something else for a while, and come back later when you're better equipped to clean house.
Even so, Elden Ring does not have any kind of difficulty selector: It is what it is, and you're either the windshield or the bug. And this is how it needs to be, according to game director Hidetaka Miyazaki, who said in an interview with The Guardian that decreasing the difficulty might open up the game to more players, but would also compromise the experience.
«If we really wanted the whole world to play the game, we could just crank the difficulty down more and more,» Miyazaki said. «But that wasn't the right approach.
»Had we taken that approach, I don't think the game would have done what it did, because the sense of achievement that players gain from overcoming these hurdles is such a fundamental part of the experience. Turning down difficulty would strip the game of that joy—which, in my eyes, would break the game itself."
That said, FromSoft did ease up a little bit: Miyazaki said the studio wanted to ensure Elden Ring players didn't «feel claustrophobic or overly limited in the scope of what they're able to do,» and instead of the relentlessly bleak worlds of the Dark Souls series, «we wanted to have these moments of beauty.»
«That's where a little bit of high fantasy comes in, conceptually,» he said. «Both in terms of the difficulty and the learning curve, as well as the world setting, you feel that you can come up for air.»
It's no secret that I'm not a souls guy, but I truly loved Elden Ring—against all expectations, it was nothing short of exquisite. Much of that arose from the dreamlike beauty of the game world, which was genuinely
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