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My Hero Academia Prequel Ends by Proving How Hero Society Is Broken

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In Martin Scorsese’s 2004 Howard Hughes biopic The Aviator, one scene probed the boundaries of 1940s screen standards. In the scene, Hughes (Leonardo DiCaprio) presents enlarged stills of actresses’ cleavage from various movies of the time, to which his ‘expert’ applies calipers—to demonstrate to censors that his movie is no more lewd than its contemporaries. It is intentionally over-the-top, making light of the constraints that governed production in Hollywood’s first few decades. Yet it is also a reminder that such restrictions are a kind of folly in themselves—appropriateness is a highly subjective standard, one which has only gotten more subjective in the last fifty years, as American society has splintered away from a unified idea of morality.
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