'I love stories where you go and venture into the unknown': Clair Obscur: Expedition 33 creative director Guillaume Broche opens up on the RPG's brilliantly bonkers plot

pcgamer.com:

I caught the recent reveal trailer for Clair Obscur: Expedition 33, and proceeded to make finding out exactly what's going on in the new RPG's dark fantasy world, which is dripping with the sort of 'end of days' vibe commonly found in Final Fantasy and Persona games, a top priority as, simply put, it's a bit bonkers. As such, recently being able to sit down with the game's creative director, Guillaume Broche, to see the game in action and ask him about it was a real boon.

In Expedition 33's city of Lumière, once a year the mysterious and seemingly all-powerful being called the Paintress wakes up and, approaching a large monolith in the middle of everything, paints upon it a cursed number, ticking it down. As soon as the Paintress paints it, everyone of that age turns to smoke and fades away immediately.

As such, the population's maximum age is in decline. To solve this, an expedition from the city is tasked with venturing forth into the unknown every year to try and find this Paintress and destroy her, ending her annual culling. However, to date none of these expeditions have been successful, leading to the operatives of Expedition 33, the upcoming age group next to 'die', heading off on their hail mary mission. As such, Expedition 33 finds itself on a race against time to find and end the Paintress.

So how and why did Broche land on this plot about Expedition 33 venturing forth into the unknown?

«I love this question,» laughs Broche, «because I don’t think there is a particular thing where it came from one morning, like, 'Oh, why don’t I do that?' Basically, I love stories where you go and venture into the unknown, and you really have to go with this kind of fear, and you have no idea what this goal exactly is, and you have no idea what is in between you and this goal. You just go and hope for the best. You just go around, being like, 'What’s like happening?' [These are] really the kind of stories that I like.

»I like the group dynamic. They go with a goal, but