Cinema’s screenlife subgenre, where the events of a movie largely take place online, and the story plays out on a computer, tablet, or smartphone screen, has become an emerging method to depict the unique anxieties of modern life. The format — something of a descendent of and replacement for the found-footage fad — is especially well-suited to thrillers and horror stories, as seen in 2023’s great mystery Missing, a follow-up to 2018’s Searching.
While screenlife fiction really started at the turn of the century (the 2000 Franco-Belgian film Thomas in Love is generally considered the first screenlife feature), it was the 2014 horror hit Unfriended (produced by Night Watch and Wanted director Timur Bekmambetov, who coined the term “screenlife”) that really brought this style of filmmaking into the mainstream. It was a great test case: This movie rules. It’s been on Netflix for a while now, but its last day on the platform is Monday, Oct. 16, and you should absolutely watch it this spooky season.
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In Unfriended, a group of high-school friends catch up via Skype. One of their fellow students recently took her own life after being bullied at school, and their call is interrupted by a mysterious persona implying that the friends had a hand in her death. This invader threatens them and holds them hostage on the call — until they start dropping off one by one, with some horrifying imagery.
Unfriended is a tense movie that makes great use of the screenlife gimmick, keeping viewers firmly within the boundaries of a MacBook owned by protagonist Blaire (Shelley Hennig, Teen Wolf). The movie deftly uses familiar modern visual and audio cues: Mouse cursors blink expectantly. Users type out initial responses to events, delete
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