Star Wars: Skeleton Crew Brought Back a Familiar Face From the Original Trilogy Era
gamerant.comStar Wars: Skeleton Crew turned to one of the VFX artists who helped bring some of the original trilogy's most memorable special effects to life.
Star Wars: Skeleton Crew iscurrently set to be the franchise's next Disney Plus series after Star Wars: The Acolyte premieres in June. Created by Jon Watts and Christopher Ford, Star Wars: Skeleton Crew stars Jude Law as an unnamed Force user. It follows four children who try to find their way home after discovering a mysterious secret on their planet and getting lost in the galaxy. While the series is set during the same post-Return of the Jedi period as The Mandalorian, the creators employed techniques from the original trilogy with the help of visual effects wizard Phil Tippett.
During an interview with Collider's Steve Weintraub at CCXP Mexico City, Watts explained how Star Wars: Skeleton Crew used a combination of new and traditional special effects techniques. «I got to use all the cool stuff on my most recent Star Wars show. We had pre-viz, MOCAP, we shot on the volume, we did everything. But the most fun part was we also used all the old school techniques as well,» he said. «We got Phil Tippett to do stop-motion. We did matte paintings, like real old-fashioned matte paintings. We got an ILM painter out of retirement to come out and do that. So to me, all that stuff is fun, but it's just another tool, and it depends on how you use it.»
Because the Disney Plus Star Wars shows have been connected by shared characters and storylines, which will culminate in a New RepublicStar Wars movie by Dave Filoni that serves as a climax to The Mandalorian and its spinoffs, some people are concerned thatSkeleton Crew might require some catching up to understand. Fortunately, Watts assured people that Skeleton Crew can be watched without seeing past Star Wars projects. «Yeah. You don’t need to have really any prior Star Wars knowledge to enjoy it. But if you do, you can enjoy it on many levels,» he explained.
Of course, the hardcore
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