Ever since the release of the Resident Evil 2 remake, developers have returned to the well en masse to give their classic games a new lease of life, more often than not with mixed results. From what I’ve seen so far, the upcoming Silent Hill 2 remake doesn’t come close to hitting the heights of Resident Evil 2 – a blueprint for how a great remake is made – but it certainly feels like developer Bloober Team has made a lot of the right decisions when building on the survival horror classic’s undeniable legacy, even if at times it feels a little too safe.
I played the opening three hours of Silent Hill 2 and it was immediately apparent from the off that the remake gracefully captures all the important elements; an oppressive tone and straightforward game mechanics, even when the task itself is being obtuse. As with any Silent Hill game, atmosphere is king, and Silent Hill 2 immediately and consistently puts you into a state of unease. A thick fog surrounds the town like the original, now benefiting from modern lighting and volume thanks to today’s technical improvements. The streets are now filled with a new level of detail, shops are explorable, and strange sounds, cries, and groans are dynamically lurking around every corner.
I can imagine it would have been incredibly tempting to layer music into the Silent Hill 2 remake, bringing the scares more in line with contemporary horror hits. But its slavish resistance is commendable, as the diegetic sounds of Silent Hill are where the game really sings, or rather, drones. Every room in the Wood Side Apartments creates its own version of uneasy tension, subtly assaulting you with an oppressive, unearthly soundscape of pulses and organic audio. From the moment protagonist James enters Silent Hill, the onslaught of bad vibes is present and never lets up for a second. Often fear is driven by anticipation, but Silent Hill 2 is all anticipation, with the sounds of the Lying Figures and co being ever-present. In some ways, it’s a
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