Punisher, from writer Jason Aaron and artists Jesús Saiz and Paul Azaceta, is not explicitly a book that tries to redeem a character co-opted by hate, but it’s not a book that’s unaware of the context in which it exists.
And that’s never felt more sneakily true than in its conclusion, in which — after becoming an unstoppable god of murder and war — Frank Castle’s resurrected wife undoes his godlike powers, divorces him, and takes all of his money.
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The log line on Punisher was that Frank Castle was the destined avatar of the Beast, the god of murder worshiped by the Hand ninjas from Daredevil comics. And it largely stuck to that gonzo mandate, with Saiz delivering the epic visuals to match. Frank developed a whole suite of superpowers and used them to strike down armies and murder Ares himself — the book was anything but about taking out low-level criminals and earthly mobsters.
Azaceta, on the other hand, delivered the flashbacks to the story, redefining Frank’s childhood in the key of “evil-god-destined serial killer” and telling the story of Frank’s wife, Maria Castle, in such a way as to make it clear that if there was ever anything good in Frank it was from his family — who grew to hate and fear him for loving war more than them.
Is this Punisher series gonna stop people from worshiping the
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