I watch a good amount of horror — I’m not as devoted as some of my colleagues, but I consider myself relatively well versed in the genre, and conditioned to the depths of depravity it occasionally explores.
I’ve also been known to enjoy gory movies, even outside of horror. I’m well documented on this particular subject, especially when it comes to action movies, where full-on gore is rare but can add extra stakes and pops of surprise to a particularly intense fight. But nothing has come close to the visceral reaction I had in response to one particularly brutal moment in the new experimental slasher movie In a Violent Nature. The scene, and my reaction to it, shocked me.
From Canadian writer-director Chris Nash (ABCs of Death 2’s “Z Is for Zygote” segment), In a Violent Nature combines a slasher in the vein of Friday the 13th with the slow cinema of directors like Terrence Malick. The 94-minute movie, which premiered at Sundance this January and opened in theaters on May 31, follows the point of view of its silent killer. The movie is filled with long, unbroken shots behind the killer’s shoulder as he walks through tranquil forests and fields, stalking his prey. There is no musical score. It’s a deconstruction and reinvention of the slasher genre, which largely works very well. It’s moody and atmospheric. The deliberate pacing makes the pops of gore hit even harder.
Then we get to the scene that surprised me. I must again warn you before continuing: If you are at all squeamish, or just want to experience the gory details for yourself by watching the movie, please stop reading here. I will not judge you.
As the killer corners one of his victims, a young woman, near a cliff’s edge, the scene seems to be setting up a moment where she jumps to her death, or he pushes her off. Instead, the killer lodges a hook in her skull and uses the hook to pull her head down through her own stomach and out through her back. It’s extremely vivid — I get queasy just thinking about it —
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