You could say that Alan Wake 2 was decades in the making. Last year’s blockbuster from Remedy saw the studio return to its roots and the horrors therein, dredging up the past to loop into something new, now. But it wasn’t just the main character or gameplay style we saw return, but the sounds and inspirations of the original Alan Wake too, bubbling up from Cauldron Lake through the music of Poe.
When I was playing Alan Wake 2, I was pleasantly surprised—maybe even a bit shocked—to hear a song that sounded like Poe between chapters. And a quick search later, I had verified as much: singer-songwriter Poe had collaborated with Remedy’s Sam Lake to record a new song, “This Road,” just for Alan Wake 2.
For fans of meta-textual works, this was an incredible piece of news. It felt like several long threads, reaching back through old references and inspirations, now tying a new knot. So naturally, I needed to know as much as I could about how it happened, and reached out to both Sam Lake and Poe to discover. As it turns out, it was more of a full-circle moment than I could have anticipated.
First, we need to lay out a bit of a timeline. Before Alan Wake was released in May 2010, there was a book called House of Leaves, written by Mark Z. Danielewski, and published in March 2000.
The book follows several characters through a meta-textual journey: a tattoo apprentice named Johnny Truant discovers a manuscript from the strange author Zampanò. It follows a documentary about Will Navidson, a photojournalist who discovers his house is larger on the inside than the outside. The story twists and turns as you read through both the document itself and several different layers of footnotes, as the text and book itself feel like they start
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