It’s been a little over a decade since the original horror anthology V/H/S helped kickstart an entire era of horror, in which themed horror anthologies (The ABCs of Death, Tales of Halloween, Holidays, etc.) suddenly became underground hits — and a major proving ground for young directors showing off their chops to secure funding for full-length features.
Market oversaturation eventually slowed down the demand for these projects, but the OG, the V/H/S series, kept trucking along. 2013’s V/H/S/2 and 2014’s V/H/S: Viral were eventually joined by Shudder originals V/H/S/94 in 2021 and V/H/S/99 in 2022. And now, Shudder is streaming the latest in the series, V/H/S/85, a collection of five segments (one split up into a “wrapper” film connecting the others) all visually themed around 1980s found-footage technology.
This particular installment in the anthology series is sharper, more startling, and more impressive than some of the others, in part because of its all-star director lineup: V/H/S/94 and 99 producer David Bruckner (The Ritual, The Night House), Natasha Kermani (Lucky, Imitation Girl), Mike P. Nelson (Wrong Turn, The Domestics), Gigi Saul Guerrero (Culture Shock, Bingo Hell), and Scott Derrickson (Doctor Strange, The Black Phone).
All five directors were on hand at a Q&A after the movie’s world premiere at Fantastic Fest 2023, where Bruckner made a stir when he told the audience that he lured the other directors into the project by telling them “V/H/S movies are fuck-you movies,” a sentiment they all seemed to enthusiastically agree with. Naturally, when Polygon sat down with all five directors at Fantastic Fest, we had to explore what that means, both for the directors and for fans of the series.
Polygon: So what is
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