At first, the most distinct thing about Obi-Wan Kenobi in the new era of Star Wars is that, for the first time since the franchise transitioned to TV, it wasn’t about a guy in a helmet.
No disrespect to The Mandalorian or The Book of Boba Fett, but they are shows that were sold on iconography more than character — something they reminded audiences of every time the Star Wars franchise logo appeared on screen after flashes of robots and helmets.
Only one character wears a mask in Obi-Wan Kenobi: Darth Vader, and its presence or lack thereof is always meaningful. Across its brief six-episode run, Obi-Wan stopped the spectacle to focus on people — and it mostly resonates as a contrast to how much I’ve missed them in other Star Wars stories.
At the heart of this are Obi-Wan’s two central performances. As Obi-Wan, Ewan McGregor plays a broken man in exile, a soldier who knows he lost the war but is still being asked to fight it, keeping constant vigil from afar over the young Luke Skywalker.
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