Director Ridley Scott and actor Joaquin Phoenix reunite for the first time since their work in the iconic 2000 film Gladiator. Twenty-three years later, they are back with another historical epic,. Phoenix portrays Napoleon Bonaparte, Emperor of the French, during his rise to power and his tumultuous relationship with Joséphine (Vanessa Kirby). Scott’s grand cinematic spectacle demands the colossal canvas of the big screen. Although this movie has a few issues with its pacing and screenplay, and it’s far from Scott or Phoenix’s best work, Napoleon leaves a lasting impression.
The film plunges viewers into a brutal and bloody depiction of historical warfare, vividly capturing a horrifying chapter in history. No director paints an atmosphere quite like Scott, who has made incredible films like Alien, Blade Runner, and The Last Duel. He knows how to immerse audiences in the intricacies of the era through stunning cinematography that captures the essence of the period. He works with his longtime collaborator Dariusz Wolski to paint gorgeous settings that could hang on the walls of a museum. His eye for spectacle is a perfect match for this story that lends itself to unforgettable sequences of scope.
Scott does not refrain from depicting the merciless violence under Napoleon’s rule. With his steady hand behind the camera, he showcases blood, pain, and death at every turn. Millions died under the rule of Napoleon Bonaparte, and Scott graphically portrays the bloodshed during his battles. The battle sequences are a highlight in this film. They are a wonder to behold, leaving you gripping your seat. Although a few of them can end up feeling self-indulgent in their length, Scott proves himself once again as a master at creating
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