Fallout has extensive lore built up over many years, rich pickings for anyone adapting the franchise for the big or small screen so it’s surprising that it’s taken this long for that to happen, especially when titles like Battleship and Rampage have been adapted before Fallout. There was an attempt to make a Fallout film around the year 2000 and it got as far as a script but was ultimately cancelled.
Fast forward another twenty four years and Amazon’s Prime Video adaption has arrived with a bang , and I mean that, it wouldn’t be Fallout with a nuclear explosion and we get them within minutes of the show starting. What fallows is the tale of Lucy (Ella Purnell), who like every protagonist found in the games emerges from a Vault as naïve, blank slate which gradually evolves in to a full formed character as the show progress. We are introduced to her in exactly the same way as you create a character in game, listing her skill levels, and while she is rather one dimensional to begin with she does grow over the episodes, mimicking the levelling up in-game.
Unlike the games the first few episodes are rather slow, there’s a lot of world building both in and out of the Vault but when the action does kick in then the blood is generously splattered across the screen, this is not a show for younger members of your family. We are also introduced to Maximus (Aaron Moten), a Squire in the Brotherhood of Steel who was adopted by the faction as a child, and The Ghoul (Walton Goggins), a mutated human. Maximus and Lucy really work well as contrasts, one having lived their entire life underground, the other subjected to the harsh realties on life in the Wasteland. The Ghoul has less of an arc but does get a lot more back story, Goggins playing his character as a foul mouthed but charming version of John Wayne, he’s clearly having a lot of fun.
The main plot is essentially a fetch quest that echoes the start of Fallout 3 but the show isn’t afraid to take a swing at themes such as
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