When you check into a hotel room, what do you do? You immediately poke around. You scope out the outlets, pull back the curtain, open the closet, see what’s in the minibar, make sure there’s nothing gross in the bathroom. Only when you have a full sense of what’s around you do you sit down and think about unpacking.
We — as in those of us who exist as sentient corporeal beings in four dimensions — have yet to really do this with much effectiveness in the cosmos. But lord knows we’re trying.
On Dec. 25, 2021, NASA, with aid from the European and Canadian Space Agencies, launched the James Webb Space Telescope, the most high-tech piece of surveillance equipment in the galaxy (at least that we’re aware of). If there’s anything better, JWST will find it.
Hardcore NASA nerds, or at least those that visit r/spaceporn, are already well aware of the incredible hurdles it took to get JWST off the ground and sending back remarkable images. But for those that have been a little more earthbound, the new IMAX documentary Deep Sky is just the thing.
While the 40-minute film is already playing at nearly 30 North American planetariums, air and space museums, and science centers (plus two in Australia), Deep Sky is getting a full release at over 300 traditional theater IMAX locations for one week beginning April 19. (This is pegged to Earth Day, which is nice and all, but Deep Sky is actually the least Earth movie ever made. It’s about everything but Earth!)
The film, which rules, is directed by Nathaniel Kahn, who burst on the documentary scene in 2003 with My Architect, a clue-hunting biography about his father, Louis Kahn. From a structure and screenplay point of view, Kahn isn’t reinventing anything with Deep Sky. He’s got the talking-head interviews (tech dorks with varying degrees of media readiness), a celebrity narrator (in this case, Michelle Williams), and computer-simulated visualizations to use as a crutch (they’ve already been battle-tested by NASA, so they look
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