El Paso, Elsewhere Wears Its Bloodstained Heartbreak on Its Sleeve

ign.com:

There’s a moment at the very beginning of El Paso, Elsewhere, where the protagonist James Savage leans over the hood of a car pulled over in the middle of nowhere and makes a plea directly to the player. “I need you to believe…that I’m going to get back into this car, on the count of three, and stop my ex before she destroys us all. I need to know that you believe, so I can too.” He slowly counts to three, and in a blink, he’s in the El Paso hotel where she lies in wait. “Well,” he says, as if pleasantly surprised. “Here’s to believing.”

The parallels between this specific moment of James’ opening monologue and the story told to me by Strange Scaffold studio head Xalavier Nelson Jr. of the game’s development aren’t lost on me. He’s worked on over 80 projects in the past eight years, he tells me over a video call, across video games, comics, and tabletop, AAA and indie, licensed and original IP. His studio, Strange Scaffold, was founded out of a “deep passion for advocating to make games better, faster, cheaper, and healthier because our players deserve it.” As he speaks to me, Nelson walks Aristotelian laps around the brightly-painted living room, kitchen, and hallway of his house. Occasionally, he sprints to the PC to check a fact, then resumes his peripateticism.

I’ve interviewed Nelson before about his move from writing to every other aspect of game development, and his game-making philosophy centered around sustainability, broad collaboration, and deep introspection. When we last spoke on these subjects, it was about An Airport for Aliens Currently Run by Dogs – an extremely different kind of video game. And yet, not at all different. Both games center protagonists who are deeply in love, deeply hurt by it, and who