What is Martha is Dead? Three words that neither Batman nor Superman ever want to hear. I’m sorry, but I feel the need to open this review with a joke since things are going to get pretty dark from here. Martha is Dead spins a torturous tale of psychological horror that focuses on the tragic death of a young woman and the subsequent mental and emotional torment suffered by her surviving twin sister, all set against the backdrop of one of the most harrowing times in human history, World War II. This feel-bad romp takes you on a trip through a small but fastidiously crafted slice of Italian countryside and into body horror-heavy nightmares that are not for the squeamish. It’s an engrossing and at times gruesome five-hour journey, but one that left me feeling slightly more perplexed than I was perturbed by the time I had reached its end.
After she discovers the body of her identical twin Martha drowned in a lake near her family home, Giulia inadvertently assumes her sister’s identity when her grieving mother mistakes her for the wrong sibling. Knowing that Martha has always been the favourite child, Giulia neglects to clear up the confusion and instead pretends to be Martha while investigating the suspicious circumstances around her sister’s death. It’s the combined stresses of living a lie while also uncovering the disturbing details surrounding the real Martha’s demise that drags Gulia down into the depths of madness, turning her into an increasingly unreliable narrator and making for a gripping ordeal as her genuinely distressing dreams become indistinct from her grief-stricken reality.
Unraveling the mystery surrounding Martha’s death relies largely on heading to specific spots around the family estate, taking photos
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