There isn’t a lot of agreement over who should be the next ruler of Westeros in episode 3 of House of the Dragon. At a hunting party thrown in honor of Prince Aegon’s second birthday, many push for Aegon to be next in line (him being the firstborn son of King Viserys), while others insist the throne is still Rhaenyra’s (being the actual firstborn and named heir). It’s enough to drive poor Viserys, dad and king, a little crazy. He wants a clear sign of the right path, and gets the promise of one with the mention of a white stag running around the Kingswood.
But when Viserys (Paddy Considine) is called to a stag, it’s not what he imagined. It is, as one of the helpers holding it in place so the king may kill it notes, still a “big lad,” but the animal is not white. This moment — staged, underwhelming, and missing the clear symbolism he so clearly seeks — provides no clarity about who the gods wish to show their favor to.
Elsewhere they do. Rhaenyra (Milly Alcock) is the one who spots the enormous white stag at a cliff in the morning. She stares it down, prevents Ser Criston (Fabien Frankel) from killing it, and lets it gallop away. How to read the moment (or even how she reads the moment) is opaque, by design. But the whole scene feels a bit mystical, tapping into the type of magic Game of Thrones used to employ to keep its high fantasy characters guessing about the future.
Magic in the world of A Song of Ice and Fire is unpredictable and haphazardly spread through the world. No religion had a monopoly on magic, but none of them had a clear grasp on it either. There were changing faces, reanimation, and ghost demon babies, and all existed with the same predictability as lightning, or a vision from looking into a fire.
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