Former Helldivers 2 writer is astonished by the monster he helped create, as he describes how the game's approach to storytelling led to the community's showdown with Sony: 'We trained them to fight together. And then they fought together'

pcgamer.com:

When it comes to live-service storytelling, Helldivers 2 has pushed the concept into uncharted territory. Not only has it found a way to keep players constantly engaged without disappearing up its own lore-hole, its fiction is so effective that the story has spilled out into the real world. Earlier this month, when Sony tried to reinstate Playstation Network account linking for Steam users, the community united beneath the games' satirical banner of freedom and democracy to review-bomb it until the publisher changed its mind (which it did).

Now, former Helldiver's 2 writer Russ Nickel has gone on record to discuss how Helldivers 2's approach to storytelling led directly to this moment. Speaking to Inverse, Nickel described his amazement as the events surrounding the PSN controversy unfolded. «Just the last couple of days have been one of the most exciting parts of the experience for me. The whole community came together to say 'There are players in other countries who aren't going to be able to play the game. We're all going to stand up for each other and be this united front.'

»It's just like, 'Oh, we trained them to fight together. And then they fought together.' They were standing up for something good, which was their fellow players."

The interview delves deep into the methods and reference points used to build Helldivers 2's world, themes, and live-service storytelling structure. Regarding the game's satire, Nickel says the game's tone was «pulled from real life» as much as it was Verhoeven's film. «I kept trying to look at what's happening now. What are the actual problems in society. How can we start to fold those into the game and little tiny ways and pull them out?» This is something Arrowhead still considers for the game's 'Major Order' story beats «It's easy to tell a cool sci-fi story, but it's hard to make sure that story is constantly reflecting real-world problems in a satirical and important way.»

Nickel is reluctant to detail specific instances of