Everything Everywhere All at Once, explained by a quantum physicist
This past weekend, a couple of my friends and I went to see Everything Everywhere All at Once. I went in knowing two things about it: The first was that the very talented and fantastic Michelle Yeoh was in it; and the second was that it involved the “multiverse.”
As the credits rolled, with tears trickling into my mask, I had a hard time discerning what was making me emotional. I say emotional because it wasn’t just one feeling, but a strange mix of several: joy, wistfulness, catharsis, yearning, hope.
Without giving too much away, the very simple gist of this maximalist, fantastic tornado of a movie is about the choice to exist, to fully live within the present moment. It’s about finding the beauty in our small, odd lives, even as we constantly compare what we have to our unfulfilled fantasies. The movie also examines how we take solace in the personal disasters we’ve narrowly avoided. But what makes Everything Everywhere All at Once so powerful is the multiverse, a dazzling antidote to the fact that real life these days feels like it’s been designed to blur and pummel our emotions into dullness.
What is the multiverse? A world full of endless potential; multiple parallel universes spinning in synchronicity; and the possibility of alternate, powerful, seemingly better versions of ourselves. At a time when a pandemic, wars, and political cruelty have become constant, inevitable presences in our daily lives, it’s the ultimate fantasy for this moment. And that’s not just because Marvel, the most powerful entertainment company in the world, has gone all-in and made the multiverse a cornerstone of its current storytelling.
Rather, Marvel is just one take, one depiction of a limitless and alluring fantasy that’s impossible
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