Son Lux Interview: Everything Everywhere All At Once
Filmmaking duo Daniels has an undisputed hit on their hands with Everything Everywhere All At Once. The fantastic, universe-jumping action-comedy starring Michelle Yeoh is equal parts inspiring, heartbreaking, exciting, and hilarious. While the duo has a number of short films and music videos under their belt, Everything Everywhere All At Once is only their second feature film, their first being 2016's Swiss Army Man.
Everything Everywhere All At Once is also buoyed by a musical score just as agile yet large in scope as the film itself. Written by the indie/experimental band Son Lux, the film's score is an exciting adaptation of the band's signature style to a new medium.
Related: Everything Everywhere's Ratatouille Joke Beat Disney To Live-Action Pixar
Before embarking on their upcoming tour, Son Lux members Ryan Lott and Rafiq Bhatia spoke with Screen Rant about crafting a score to fit the film, collaborating with musical icons, and beauty in taking a risk.
Screen Rant: The movie and the score are both so large in scope. The first question is, how did you even start with this? Both in meeting Daniels and also just creatively? How did you first jump in?
Ryan Lott: Daniels hit us up in the fall of 2019. We were in the middle of recording a bunch of material for upcoming projects, none of which were this. They explained to us that they were working on this movie, and they tried — they did their best to explain it, but ultimately when they sent the script, which was inexplicably strange and definitely was never going to get made, we realized this was kind of an amazing opportunity to do so much more than we'd ever done in a single project.
Unfortunately, like I said, there's no way anyone's going to make this movie. So,
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