Dandadan is a feast for any shonen manga reader’s eyes

polygon.com:

Yukinobu Tatsu’s hit manga series Dandadan is both a feast for the eyes and an engrossing story. With Viz releasing its first collected English volume, it’s the perfect time for me to talk about one of the few manga actually I look forward to reading every week.

Momo Ayase believes in spirits, but not aliens. Ken Takakura believes in aliens, but not spirits. After Ayase dares Takakura to check out an area filled with ghosts and Takakura dares her to meet aliens, they gain special abilities that sweep them up into the world of aliens and the occult.

I was very eager to write this post when I found out Dandadan was getting its first trade paperback, but it should be said that, like many shonen manga, the series does have a disgruntling amount of fan service at times. The first chapter has most of it, but if you hate that kind of stuff, the series might not be for you.

The rest of Dandadan, however,is pretty dang good, full of twists and fun reveals. But the meat of the series is in its art. Author and artist Yukinobu Tatsu uses dynamic poses with extreme perspective and detail to accentuate Takakura’s superspeed even beyond what we could imagine.

The artist also uses an exaggerated curved perspective when a character wants to, say, reach something super far off using hair like Rapunzel. But that perspective isn’t only used for the action sequences. Using two-page spreads, Tatsu can exaggerate the horrific situations that Ayase and Takakura get themselves into, spreading a feeling of dread and panic. With the hyper-detailed scary faces of the aliens and spirits they fight, you’re put in their shoes; these monsters are terrifying, and the duo is often up the creek without a paddle.

The series pairs comedy with incredible