In its broad outlines, the new worldwide theatrical release Brahmāstra: Part One – Shiva has a number of attributes American viewers may associate with Indian blockbuster cinema: It has a vibrant color scheme, includes several splashy musical numbers, and runs fairly long, with a built-in space for an intermission. American theaters may skip that part, since 160-minute run times have become near-standard length for big-ticket American blockbusters. And a big-ticket American blockbuster is what Brahmāstra also resembles. Specifically, it recalls 2021’s Marvel epic Eternals, though it lacks the contemplative tone director Chloé Zhao attempted to bring to that film. Brahmāstra is sillier, chintzier, and unavoidably more fun.
It’s also an actual corporate cousin to the Marvel movies, because it was produced by Star Studios, once co-owned by the companies Star India and 20th Century Fox, and now yet another Disney subsidiary. Brahmāstra is the most expensive Hindi production ever, though the exchange rate places its budget around $51 million. This is also the exact price range that gets American studios nervous, where movies fall between cheaper, lower-risk offerings and mega-budget tentpoles. Like so many other would-be blockbusters, Brahmāstra has its eye on a cinematic universe, with “Part One” featured in its title and “Part Two” inevitably teased by the story’s end.
Perhaps the most Hollywood aspect of Brahmāstra is the sense that this confidence may be misplaced. Writer-director Ayan Mukerji opens his movie with a torrent of exposition about the Astras, Eternals-like beings imbued with the power of elements or animals. They’re also members of the Brahmānsh, a group sworn to protect humankind from the dangers of the
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