Moon Knight Post-Finale Interview: Gregory Middleton
Over a week after its finale, Moon Knight season 1 has remained in the consciousness of Marvel fans even as Doctor Strange in the Multiverse of Madness has dominated the movie theater box office as MCU films tend to do. Even though the latest entry into Marvel's television canon maintained a healthy distance from the larger storytelling universe, audiences have found a number of compelling threads that could carry over and even have questions about how certain events may be impacted by the upcoming Thor: Love and Thunder.
It is thanks to the steadfast vision of Moon Knight's creative team that Disney+ was able to take a gamble on material that was at times more mature and risky than its viewers are used to. With a commitment to investing in comic lore and also expanding the MCU's diversity, the series introduced a Jewish protagonist with Dissociative Identity Disorder, and also introduced the first Egyptian superhero into the franchise. Furthermore, the show manages to tell a self-contained story while still leaving fans with a taste of what could come should there be a Moon Knight season 2.
Related: Ms. Marvel Should Continue Moon Knight’s Best MCU Decision
Screen Rant got the chance to speak with Gregory Middleton, who was one of the two cinematographers who worked on Moon Knight, about certain camera tricks and creative choices made to distinguish Marc from his alters as well as how he and fellow DP Andrew Droz Palermo worked together to make the series as seamless as possible.
Screen Rant: The last two episodes of Moon Knight were the trippiest of the first season. Especially episode 5, which just drops you right where the last one left off. How did you make sure it was a smooth transition from the work that Andrew
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