Showa American Story Is a Wild and Sexy Chinese Depiction of America as Set in Showa 66
"Actually, we didn't really do any research in particular. I just wanted to depict what I imagined America would look like if it had been invaded by Japanese culture in the early nineties," says X.Y. Luo, creative director of Showa American Story. His words will surely come as a surprise to anyone who's seen the trailer released this January. This game developed by the Chinese studio NEKCOM Games is set in a fictional America decorated with carp streamers and Jizo statues, having become culturally colonized by Japan in the year Showa 66, a parallel 1991 where Japan's Showa era didn't end in 1989. The Statue of Liberty is wearing a kimono, while a massive paper lantern with the Japanese character for "gold" written on it hangs from the Golden Gate Bridge. I doubt I was the only one who saw the game's billboards and flyers oozing with Showa aesthetics and assumed it was made by creators well-versed in Japanese and Showa culture. I've lived in Japan for over eighteen years myself, and I was completely fooled. According to Luo, though, not only are there no Japanese people on the development team, they aren't even trying to create a faithful Showa feel to begin with.
According to Luo, "I used Japanese manga, movies, and the like that were popular in China as my base. I thought it would be more interesting to show people a unique take on Showa style as seen by a Chinese person than it would be if we depicted it faithfully. While I was confident that Chinese users who experienced the same timeframe and creative works as me would understand the charm, I never imagined I'd get this big of a reaction from Japan and the West."
Born in Wuhan, China in 1983, Luo was drawn to foreign cultures from the time he was a child, where
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