The elevator pitch for the Hitman series has always sounded way more grim than the games themselves: You’re a stone-cold killer who must use stealth to poison, stab, or shoot a wide variety of well-protected targets. Sounds like a pretty typical action game.
In practice, though, the Hitman games have more in common with Monty Python than James Bond. And Hitman 3 is the trilogy’s “Dead Parrot” sketch.
The best sketch comedy pairs the predictable with the wholly unexpected. In the case of the
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