Make way for a new Indiana Jones movie and a new (and final) John Williams movie score.
Between Lucasfilm’s aggressive Star Wars slate and Disney’s emphasis on the Marvel Cinematic Universe, it can be hard to remember that 2023 will see a brand new Indiana Jones, once again starring Harrison Ford. This time around, Steven Spielberg steps into a producing role and hands over directing duties to James Mangold (Ford vs. Ferrari, Logan), with Fleabag’s Phoebe Waller-Bridge stepping into a major lead role (which is rumored to be a passing of the torch for potential sequels). Mads Mikkelsen, Antonio Banderas, Toby Jones, and Shaunette Renée Wilson round out the cast. This should be big.
But whether the whip-slinging archaeologist has the blockbuster cred to draw back moviegoers, in the vein of successful throwbacks like Jurassic World and Top Gun: Maverick, is a big unknown. Despite provoking some of the worst reviews in Spielberg’s career, the previous entry in the Indiana Jones series, 2008’s Kingdom of the Crystal Skull, netted over $700 million worldwide. And looking back… well, it has some good scenes! Forget the CG monkeys and enjoy a wild motorcycle chase with Mr. Mutt Williams and the now-iconic/memetic nuking of the fridge. There’s a reason to think a new sequel could fly.
So, can the untitled Indiana Jones 5 overcome the sour taste of Crystal Skull to put the series to rest on a high note? (Or better yet in this IP-harvesting era, begin something new with Waller-Bridge?) One piece of the puzzle is sure to be gold no matter what: John Williams’ score.
The 90-year-old composer, who has worked in the biz since the 1950s and with Spielberg since the director’s debut, 1974’s The Sugarland Express, returns next summer to
Marvell
Career
Chase
bowling
Steven Spielberg
Mads Mikkelsen
James Mangold
Antonio Banderas
John Williams
Crystal Skull
Toby Jones