Atlanta Season 4 Premiere Review
For six years now Atlanta has taken fans through a long journey of seeing its protagonists evolve, and while Earn, Al, Van and Darius are very different from they were when the show premiered, season 4 kicks off by reminding off there’s still a lot of growing up to do.
On a different note,Atlanta’s unique comedy flair remains intact, that is for the few jokes and gags that are thrown here and there in this two-episode premiere of its final season. That’s because “The Most Atlanta” and “The Homeliest Little Horse” could not be more different, with the first echoing the surrealism of Atlanta’s third season, whereas the latter delivers some key moments to understand how much Earn has changed.
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Make no mistake, Atlanta is just as creative as it’s always been with the first episode taking a look back at the riots that spawned from some of the protests that took place in the United States’ recent history. Naturally, there’s no one better for the show to flex its humor than Darius, who finds himself caught in between some department store looting as he tries to return an air fryer he doesn’t care for — of course, with Darius being the upstanding citizen that he is, the man has no interest in any of that.
Nevertheless, since racial profiling is a thing, the very honest Darius gets to star in his own slasher movie after a woman confined to a mobility scooter pulls out a knife on the looters and goes out to chase him. The bit is one of three parallel stories that unfold, as Al embarks on a scavenger hunt set up by one of his rap idols, the now-deceased Blueblood; while on a different part of town Earn and Van run into practically everyone they’ve ever dated.
Surreali
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