Action
UPS
Decision to Leave brings back dark obsessions for Oldboy director Park Chan-wook
Back around 2006, if you asked a cinephile what Park Chan-wook’s deal was as a filmmaker, the answer would have been nice and simple: “He’s the Korean revenge-movie guy.” Park’s “vengeance trilogy” — the unrelated but simpatico dark thrillers Sympathy for Mr. Vengeance, Oldboy, and Lady Vengeance — crossed international borders during an era where it was rarer to see America fielding breakout hits from other countries than it is today. Twisty plotting, intense violence, and stunning action sequences like Oldboy’s famous “hammer and a hallway” fight helped put Park’s name on the map, but these three films (not his first, but at the time his most famous) also pigeonholed him as a director with very specific interests and tastes.